The day after Mother’s Day (in the U.S.), I’m thinking about my own mother, whose long-term memory is still sharp as a tack. My mother remembers being a young bride in Korea—not the Korea you think of today with high-end electronics and luxe skincare, but the ravished post-war country where people died of starvation. She and my father were raising their first child, who was doted on by the entire extended family.
During that time, she saw a lot of biracial children. My mother remembers babies (mixed and not) being left outside of the wealthier people’s homes.
The hope was that the rich would raise the children that the impoverished couldn’t. And while some were taken in by neighbors, these children were not usually raised as family members, but as servants. Sometimes, if the couple was infertile, the wife would go away for a while and return home with the child and pretend she had given birth to it.
My mom used to tell me about a cute little girl, whose mother was Korean and whose father was an African American soldier. When he left Korea, he promised he would send for them. They never heard from him again. They moved in with the woman’s elderly mother. For five years, my mother watched the grandmother and baby go everywhere together.
And then, one day, the little girl was gone.
“Where’s the baby?” my mother asked.
“We sent her to an orphanage,” the grandmother said. “It was our only choice.”
From today’s point of view, it doesn’t seem like the only option. But back then … because of the prejudice against mixed race children (and the unwed women who bore them), the only chance of survival they had was to marry a man who would take care of them. And no Korean man at that time welcomed a child who was half Black (or white, for that matter) into his family.
As a visibly biracial member, she was forced to wear a hat to cover her Afro when she made television appearances.
All of that happened many, many decades ago. But my mother’s memory made me think about the Korean R&B singer Insooni (née Kim In-soon) and Ronald Lewis, an American G.I. who befriended the biracial teenager when she was ostracized by Korean society.
And before you start to worry, don’t.
There was never anything inappropriate between the two. Lewis said he had experienced racism in the U.S., but hadn’t expected it in other countries. When he saw it happening to Insooni in Korea, he and his friends took her under their wings, buying her food and trying to make her life a little easier.
Due to bullying and financial difficulties, Insooni’s formal education ended after middle school. It was with that in mind that in 2013, she founded the Hae Mill School outside of Seoul. The institution offers free tuition for biracial students.
Insooni had made her professional singing debut with the girl group the Hee Sisters in 1978. As a visibly biracial member, she was forced to wear a hat to cover her Afro when the group made television appearances. Two years later, she jumpstarted her solo career.
In 2017—200 days prior to the start of the 2018 Olympic Winter Games in PyeongChang, South Korea—Insooni was invited to perform the Games’ theme song, “Let Everyone Shine” in Chuncheon. She also was selected as an ambassador for the Paralympic Winter Games.
Though the singer, now 67, hasn’t released any new material since 2015, she was a judge in 2021’s “Hello Trot” and a cast member on last year’s “Golden Girls.”
And, yes, Insooni is a mother. She and her college professor husband Park Kyung-bae share a daughter, Park Sae-in (who, incidentally, graduated from Stanford University).
I hope she had a very happy Mother’s Day.
© 2024 JAE-HA KIM | All Rights Reserved
© 2024 JAE-HA KIM | All Rights Reserved
Happy Mother's Day, Jae-Ha! As always, I love reading your posts and learn so much from them.
Ah, Insooni. Discovered her when she took part in a song for the first season of Unpretty Rapstar—incidentally, one about mothers: Kisum's "To Mom".